I have the extreme pleasure of regularly serving at one of the judges at the weekly one-on-one writing contest at TheWritersArena.com. Shortly after the site was founded, I also competed. A few weeks ago I was asked to compete again, this time against the formidable Joseph Devon.
Since I’m
the sort of person who loves DVD extras, so in that spirit, I thought I’d offer
a couple of thoughts on how I wrote my story “Rites of Spring.”
Unlike
the first time I
competed in The Writer’s Arena, this time I had worked before in the subgenre of the challenge. I had the
following 100 word story (drabble) win an
online contest:
The Deal
Leaves
rustle.“Most unusual.” Northrop touches the knot. “The sap looks like…blood.”
The bark-covered pustule oozes, coating Northrop’s fingers. He can’t pull them away.
“Denis, a little help.”
The sap burns. The knot sucks down his hand to the wrist.
“Denis!”
“Sorry, professor. Had to get a shovel.”
As Northrop turns, Denis bashes his head in. It takes him the rest of the afternoon to dismember the body and bury it at the base of the tree. He wipes his brow and looks up to the topmost branches.
“One more and you let my brother go, right?”
Leaves rustle.
But
what? I’m a definite fan of the Carnivorous Plants subgenre. I first fell in
love with the trope -- not counting learning about carnivorous plants in nature
-- by reading H. G. Wells’s delightful “The
Flowering of the Strange Orchid.” In my thinking about what to write, I
also had John Wyndham’s The
Day of the Triffids and Warren Fahey’s Fragment
in the back of my mind. Also in my personal mix were things like the Tom Baker
Doctor Who episode The
Seeds of Doom and Alan Moore’s take on Swamp
Thing.
As
all this suggests, I had the problem of too many ideas! That’s when I hit upon
the thought of using a series of quotations. I could incorporate several of
these different ways of viewing carnivorous plants into a single story. The
goal was to make the Sefer Etz Hayim
a kind of botanical Necronomicon.
“Rites
of Spring” is an example of haiku
fiction in several ways. The title alludes to Stravinsky, and his musical
treatment of pagan sacrifices. The quotes from the fictitious book are meant to
do more than just set the tone; rather, they provide further information about
the behind-the-scenes world of the story. My hope is that, by seeing events
both from Stephen’s point of view and from Brit’s, the reader can triangulate a
deeper understanding of the story.
Oh,
and just for fun, I used the Medieval
Alchemist Name Generator tweeted out by the Arena to come up with the name
“Zacharias Glass.” I combined a couple of results to do so, but I did use the
generator.
I
alternated between writing the scenes with Brit and composing the passages from
Stephen’s book until I had a complete draft. It took a while to wrestle the
story into shape in my longhand draft. Then I typed up and printed out a copy
of the story to work on the edits. A surprisingly fun ten days.
I
hope that you enjoy the results!
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